0-0.05
|
Backwards tracking shot of stair rail
|
0.09
|
Still camera, mid shot, lead running up stairs in slow mo
|
0.12
|
Backwards tracking shows stairs leading to theatre – MLS slow mo
|
0.14
|
Feet in spotlight on stage, throwing white powder, MCU slow mo again
|
0.17
|
CU of singer on stage singing
|
0.20
|
MS of characters walking into venue, backwards tracking
|
0.22
|
Following tracking shot from behind the characters this time, facing
the stage
|
0.23
|
MS character looking around the audience
|
0.25
|
MS, side on, star on stage singing, depth of field, handicam
|
0.28
|
Same as 0.17
|
0.30
|
MS of woman walking up staircase
|
0.33
|
Same as 0.25
|
0.35
|
Pan, same as 0.22
|
1.37 – 1.39
|
MS of woman at bar,
tracks to see man enter
|
1.40
|
Shot-Reverse-Shot of
characters smiling
|
1.44
|
Tracking shot MS
people dancing
|
1.45
|
Star on stage singing
MCU pan + track
|
1.48
|
Same as 1.44
|
1.50
|
Shot-Reverse-Shot same
as 1.40
|
1.52
|
Man in suit, LS, blocked,
looking for girl in crowd
|
1.53
|
CU of singers
mouth/shoulders, side on
|
1.54
|
Same as 1:41
|
1.56
|
Depth of field, woman’s
friends enter background
|
1.59
|
Reverse shot, man’s
friends enter background
|
The effect of the CU of the singer give him prominence over the band,
showing him as the star of the performance. By doing this technical analysis I
have discovered that the cutting rate I thought was acceptable for our
preliminary task was probably too slow and shots really shouldn’t be longer
than 5 seconds. Also that you do not need to spoon-feed the audience by showing
them everything that is happening, they can infer what’s happening as long as
you show them the essentials.
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